The singer Maria Marquez among special guests at Unusual Standards Concert with John Santos Sextet in SFJazz Center, San Francisco, CA, September 28 this

UNUSUAL STANDARDS

An unforgettable, outside the box concert of organic, sensual and funky Afro-Caribbean-tinged jazz and 

Latin American "standards" with more unusual turns and surprises than a roller coaster, 

as we deconstruct the standard and reconstruct the familiar. 

Featuring

THE JOHN SANTOS SEXTET

Melecio Magdaluyo * Dr. John Calloway * Saul Sierra

Marco Diaz * David Flores * John Santos

with extra special guests

Ed Reed
Calvin Keys
Maria Marquez
Terrie Odabi

Sunday, September 28th, 2014

7:00 PM

at the gorgeous new

SFJAZZ Center

201 Franklin at Fell St. 

San Francisco CA, 94102

http://www.sfjazz.org

Exquisite vocalist, composer, arranger, educator, producer Maria Marquez, gracefully poised between jazz and world music, has been credited for possessing gifts which echo those of Edith Piaf and Nina Simone. 

A recent review from her native country Venezuela claimed Maria's 2004 CD Nature's Princess (Princesa de la Naturaleza) a landmark in the recording history of that country. 

She began her musical career as a teenager singing in a duet with influential singer/songwriter Vytas Brenner in the late 60's and early 70's in Venezuela. 

Maria is a graduate of Berklee College of Music where she studied composition, arranging and film scoring for 5 years. While in Boston she performed with pianist Tomas San Miguel (Spain), cellist Jaques Morelembaum (Brazil), singer Mili Bermejo (Mexico) and percussionist Cyro Baptista (Brazil) among others. In 1982 she received her diploma in Professional Music from Berklee and headed to San Francisco.

Soon after arriving in the Bay Area, Maria started performing with guitarist Joyce Cooling. This inspiring collaboration would also broaden her horizon into the world of Jazz and Brazilian Music; it was also at this time that she started her long friendship and collaboration with percussionist John Santos, a friendship that would bring many great moments on stage as well as in the studio.  

Also in 1985 Maria formed another alliance that would show to be very productive with electronic music wizard, multi-instrumentalist and producer Frank Harris. With Frank she recorded two folk songs from Venezuela,Canto de Pilon and Campesina by Juan Vicente Torrealba. Together they co-arranged and co-produced these two memorable songs that would become part of the whirlpool of a new movement in the early 80's called "World Music". 

In 1986 Maria and Frank collaborated and produced the soundtrack for the movie Three x Three by Venezuelan cinematographer Calogero Salvo. 

In 1991 one of the greatest bassists in the Jazz world, composer and producer Charlie Haden took the arrangement of Canto de Pilon by Maria and Frank and adapted it to his acclaimed "Liberation Orchestra" for an album that would win a Grammy that same year - "Dream Keeper". 

During the period between 1992- 1995, Maria became involved in radio. She produced and hosted a weekly program for the "Emisora Cultural de Caracas", the first radio show of world music in Caracas, where audiences were exposed to ethnic and pop music from around the world. She was the musical programmer for Jazz 95.5 FM (Caracas) where she also produced and hosted her own radio show of world music and jazz. In 1995, Maria co- produced her first solo CD De uno y otro lado with some of the best Jazz musicians in Caracas.

In 1999 she produced and released the haunting Eleven Love Stories/Once Cuentos de Amor.

jazzcaribe@hotmail.com

Jane Bunnett & Maqueque, his new project, present their CD in concert tomorrow 09/22/2014 at Blue Note, NYC

JANE BUNNETT AND MAQUEQUE Appearing @ The Blue Note Mon, Sept 22nd  8 & 10:30pm Tickets & Info Click HERE Celebrating The Release Of Their New JustinTime CD Blue Note Jazz Club 131 W 3rd St   New York, NY 10012  (212) 475-8592

Celebrated jazz flutist and soprano saxophonist Jane Bunnett has introduced a lot of Great Cuban musicians to North American audiences over the past couple of decades, including Dafnis Prieto, Yosvanny Terry, Pedrito Martínez, and David Virelles. Now she has assembled an exciting new sextet featuring the finest young women musicians in Cuba. Maqueque consists of Jane + virtuoso drummer Yissy García, dynamic percussionist Dayme, Yusa on tres guitar and fretless bass, pianist Danae, and Magdelys on batás and congas. All are great vocalists as well as instrumentalists, and all are in their early 20′s except Yusa who’s a little older. Their blend of hardcore Cuban music with folkloric rhythms and Jazz has a broad appeal, and their live performances are dynamic.

Track Listing:  1.  Papineau                                                                                     6.  New Angel 2.  Maqueque                                                                                   7.  Mamey Colorao 3.  Tormenta                                                                                      8.  Canto Afro 4.  Guajira                                                                                          9.  De la Habana de Canada 5.  Ain't No Sunshine When She's Gone                                           10. Song For Haiti   Musicians: Jane Bunnett - flutes, soprano sax, piccolo, marimbula, voice / Dayme Arocena - voice Magdelys Savigne - bata's, congas, percussion, voice / Yissy Garcia - drums / "Yusa" - bass, tres guitar, voice / Danae Olano - piano, voice / Celia Jimenez - bass, voice / Special Guests: Eliana Cuevas - voice Jeremy Ledbetter - melodica / Hilario Duran - piano on 'Song For Haiti' and piano solo  on 'Mamey Colorao' / Telmary Diaz - voice 'Song For Haiti' /Heavyweights Brass Band on 'Song for Haiti'. As a little preview of what constitutes this new musical project with his Maqueque Jane Bunnett we provide this recent video:

¡¡Viva The Latin Jazz!!

Matthew Jurasek  ·  matthew@dlmediamusic.com    Information and press materials (including album covers, promotional photos  and bios) on all DL Media artists can be found at our website: dlmediamusic.com Radio Tracking Provided By Michael J. Hurzon   The Tracking Station 954.463.3518 trackst@bellsouth.net

www.justin-time.com/ www.jazzpromoservices.com jim@jazzpromoservices.com jazzcaribe@hotmail.com

www.janebunnett.com

http://www.bluenotejazz.com/newyork/i

Jazz Caribe Playlist September 21, 2014-¡¡Viva The Latin Jazz!!

www.jazzglobalbeat.blogspot.com

Luis Raul Montell    

                                                                       

www.jazz-caribe.org

www.jazzven.blogspot.com  

www.jazzcaribe.blogspot.com

   

Hola Amigas y Amigos de la buena música: 

Los invito a sintonizar este y todos los domingos 97.1 la FM de Barlovento,  para que de 10:00 a.m. a 12:00 m. disfrutemos de Jazz Caribe (PNI 10510), con lo mejor del  jazz latino, noticias, entrevistas, comentarios y festivales, bajo la dirección de Iván Messori.

Nos encontramos en Río Chico (tierra ardiente y del tambor, de las mujeres bellas y del cacao más sabroso del mundo), importante zona turística y de gran desarrollo en Venezuela, frente a nuestro  hermoso y majestuoso Mar Caribe, a tan solo 1 hora y 15 minutos de la capital, Caracas.

Este domingo, 21 de Septiembre 2014, disfrutaremos de la musica del multifacetico (baterista, percusionista, vibrafonista) Mitch Shiner and the Bloming Tones Big Band con "Fly!". Destaca Shiner no solo como ejecutante sino tambien como compositor, arreglista y co-productor en este CD, del cual hay amplios comentarios en www.jazzglobalbeat.blogspot.com el 1 de Agosto de este mismo año  "Drummer, Vibrafonist and Percussionist Mitch Shiner Releases his debut Album Fly! with the Blooming Tones Big Band on August 19 via Patois Records"; su gran aliado es Wayne Wallace y el sabor latino se siente continuamente; Youkali Music ha trabajado intensamente, no solo en el viejo continente, sino en el nuestro para mostrar la calidad y crecimiento de sus musicos, uno de ellos sin duda es Patax cuyo orgulloso lider y compositor es el percusionista hispano Jorge Perez, que agrega como invitados a figuras como Federico Lechner, Jorge Pardo y Alain Perez, entre otros. Es realmente placentero como esta Banda Patax se desplaza dentro de diferentes ritmos del Latin Jazz sin complejo alguno. Muy bien y lo mejor es que en el album integra tambien el DVD...cerraremos con una de las estrellas del momento Elio Villafranca, premiado seguidamente por sus meritos y aportes. Compositor, pianista, lider Banda, despues de adquirir sabias experiencias en el trajinar de su brillante carrera musical, integra a The Jass Sincopators para deleitarnos con esta grabacion e vivo lograda en Dizzy's Club Coca-Cola, NYC, "Caribbean Tinge". En esta misma web esta publicado el 19 de Agosto 2014 el articulo "Elio Villafranca with his last CD "Caribbean Tinge -Detroit Jazz Fest now (08/31/2014)"...gozalo!...ademas de:

Mitch Shiner     Raindrops Keep Falling...      Fly!                  Patois Rec 

Mitch Shiner             Dragon Express               Fly!                  Patois Rec

Mitch Shiner              Malibu Jump                   Fly!                 Patois Rec

Sherie Julianne           Painting            10 Degrees South             S.J.

Alex Garcia             Coltranesque    This Side of Mestizaje    Afromantra

A Reynolds Clave Gringa  Espiritu  Para Cuba con Amor That Mus Moves 

Ali Bello                     Amare   Connection Caracas-New York  Zoho Mus

Patax                      El Tiburon                Live From Infinity         Youkali Mus

Patax                        Barola                    Live From Infinity          Youkali Mus

Patax                     Bandorron               Live From Infinity           Youkali Mus

Bejamin Lapidus    But Beautiful          Ochosi Blues            Tresero Prod

Ligia Franca   O Samba e' meu dom  Meu Mundo e Hoje    Caligola Rec

Dave Chamberlain     Slidin'                     Caravan            Band of Bones Prod

H Meurkens/M Tsiganov  Olena               Junity                          Hms

Elio Villafranca     Caribbean Tinge  Caribbean Tinge Live    Motema Mus

Elio Villafranca        Corfradias          Caribbean Tinge Live    Motema Mus

Elio Villafranca      Mambo Vivo       Caribbean Tinge Live     Motema Mus

Recuerde siempre: “Regale buena música e instrumentos, se lo agradecerán todos los obsequiados”.

¡¡Amor y Jazz!!,

Luis Raúl Montell

“Alma es el Latin Jazz”

                                                                                        Jazz Caribe

 Casilla de Correos 66205, Plaza Las Americas, Zona Postal 1061, Caracas-Venezuela

Telefonos: Cel 0414-354090; Skype: jazzcaribe

Correos Electronicos: jazzcaribe2001@yahoo.com; jazzcaribe@hotmail.com

"Gozando" with Lannie Battistini Latin Jazz's and his new "Nomenclatura"

It was 2007 and had had news about a Puerto Rican pianist name Lannie Battistini, Me said that I had to hear it, which loaded a train of own music of the. Find it was not easy, but occurred as a result of the launch her CD "Hands in Motion Latin Jazz", able to contact you, not, to his beloved wife Neysa, who immediately proceeded to send me the new material record label.

I must say, before continuing, which even if it has no name and surname of the Caribbean, Lanny is more latino than any of us and defends his origin and identity, of the Isla del Encanto, as very few. Nothing therefore has achieved a host of sympathies.

But "chevere" is when you hear their music, the known all styles of and rhythms of our region and other also, sambanova, and puts them in practice in their productions, bringing his followers into a pleasant musical diversion.

Because "Gozando" is one of his themes flags to be got into the soul of many people.Then came "En la Cima" album in which denotes, even more, his own and original growth as composer, producer, pianist, band leader.And as they say over there 'the bottle cap' is this "Nomenclatura" which Lannie shows regia versatility and talent. He is the composer, as always, everything running except "El Cumbanchero" in honor of the illustrious Rafael Hernandez, magnificent arrangement of Lannie.

The Latin Jazz always present with emblems of rhythms of accents from countries of the American continent, is fusion offering us Lannie Battistini. We want highlight also the presentation and launch of "Nomenclature" exquisite and well deserved, such as musicians who support Battistini.

This CD "Nomenclatura" is so wide that it will sound much, a lot, around the world. But don't let hear their other productions.

Lannie Battistini always sounds in Jazz Caribe...Gozalo!

We invite to enjoy this video (live) Lannie Battistini and his musicians with this world famous piece by the Venezuelan composer Hugo Blanco "Moliendo Cafe":

A few notes about Lannie Battistini:

Lannie Battistini was born and raised in Mayaguez and San Juan, Puerto Rico. He naturally loved music from the tender age of 5 and developed his gift when his grandmother bought him a toy piano, in which he would mimic and play all the tunes he heard on the radio.

By the age of 15, never having taken one music lesson, his mother was booking him to entertain guests at hotels and private parties.

By the time he was 19 yrs. of age, he was accepted at the Berklee College of Music in Boston and by 23 yrs. of age, he finished his studies. He majored in arranging and composition and minored in film scoring, utilizing the piano as his main instrument. His inspiration and jazz roots were inspired by jazz artists, such as Oscar Peterson, McCoy Tyner, Chick Corea, Herbie Hancock, and Keith Jarrett.

Through the years, Lannie developed a unique eclectic style in his arrangements and productions by always re-inventing and creating innovative music styles that are commercially accepted. He also integrates his multi-instrumentalist skills within many music genres in his productions. You can not only appreciate many of his compositions within his own self-produced Latin Jazz albums, but also for those of artists that are looking for original songs to be able to transcend to another level within the industry.

Lannie was first known as a performing Pop/Jazz artist before his peers recognized him and respected him as a skilled and well seasoned producer. He also continues to perform at Jazz Festivals and prestigious venues such as, The Borinquen Jazz Fest, Heineken Ventana al Jazz Fest Series, Rumbeando Jazz Concert Series, Picante Jazz Concert Series & Jazz del Patio Concerts in Puerto Rico, St. Pete Fridays Jazz Concert Series, (WSJT 91.4), Miami at WDNA's Fine Arts Concert Series, Clearwater Jazz Holiday Fest, St. Armand Jazz Fest, Sarasota Jazz Fest, Florida Summer Fest, Florida State Fair Hispanic Fest, "Viva la Musica" at Seaworld in Orlando and in Busch Gardens, The Dali Museum and The Mchaffey Theater, just to mention a few.

In the 28+ years dedicated to his music, he has won numerous recognitions, certificates and awards for his song-writing abilities as well as his performances. He has also had the honor to share live stages as a pianist/keyboardist with well-known and legendary artists and groups such as: Batacumbele, Giovanni Hidalgo, Dave Valentin, Papo Vazquez, Rie Akagi (The magic Flute from Japan), Humberto Ramirez, Luis "Perico" Ortiz, Pedro Guzman, Charlie Sepulveda, Anthony Carrillo, Paoli Mejias, Tito Puente and Jose Feliciano, to name a few. Lannie also toured throughout the US and Latin America with internationally known Latin Pop artists such as El Puma, Ednita Nazario, Victor Manuel and Olga Tañon.

While touring for over 2 years with Olga Tañon, Lannie was the piano/keyboardist who participated in the live recorded album, "Olga Viva, Viva Olga", at the "House of Blues" in Orlando, Florida. This album won a Grammy in the Latin Pop category of 2000.

For a while, he lived in Los Angeles, where he was involved in productions with Kenny Passarelli, the bassist for Elton John and produced for the record label Acid Jazz Records.

In 1994, he opened his first studio LKB Music and dedicated most of his time as a producer for independent recording artists & Original jingle producer for several Major Ad Agencies. In 1998, he opened his present business, Hands In Motion Music & Ad Media which is a record Label, recording studio and Publicity , distribution agency for the Indie Artist. Here he spends most of his time producing, composing, arranging, and applying his song-writing abilities for his recording artists, specializing in several music genres.

At present, Lannie has headquartered his business in Florida and has done so for the past 9 years. Although his busy production schedule keeps him from going back to his performing roots on a regular basis, he regularly takes the time to accept certain live engagements during the year especially when special invitations or when he is releasing a new Album.

Lannie produced his first album "Hands In Motion- Latin Jazz," which was released in the spring of 2009. His second CD, "En la Cima" (At the Top) was released internationally through his own label, Hands in Motion Music, in April 2011. His 3rd Latin jazz album, "Nomenclatura" released in May 2014. His passion for music together with his God-given gift as a virtuoso pianist, multi-instrumentalist, producer, arranger, composer and songwriter always convey to the listener the true meaning of letting the music flow from his Creator through his fingertips.

¡¡Viva The Latin Jazz!!

jazzcaribe@hotmail.com

Jazz at Lincoln Center Opens With Cuban Beats

Wynton Marsalis Brings In Cuban Musicians Chucho Valdés and Pedrito Martinez this Thursday 18

Bebo Valdes: "The Father of Afro-Cuban Jazz" exhibition from today

'This is all personal. It's about sharing, like you do in a family,' says Wynton Marsalis,

 above, about the three-part suite 'Ochas.' Frank Stewart

When Wynton Marsalis brought his Jazz at Lincoln Center Orchestra to Cuba in 2010, some things felt familiar.

Las Vegas, a cavelike club where Havana locals danced to the rumba group Yoruba Andabo, reminded him of the Glass House, a New Orleans neighborhood bar from his younger days. He saw similarities between Cuban music and American jazz: born of common roots, especially African traditions transplanted via colonial slave trade, and famously intertwined through a century of musical history.

"Ochas," the three-part suite that will open Jazz at Lincoln Center's season on Thursday, might rightly be taken as a grand statement honoring that bond. Or as an experiment in marrying the ritual rhythms and chants of Santería, the West African Yoruba religion as practiced in Cuba, with the musical language of Mr. Marsalis's orchestra.

Mr. Marsalis, who composed the piece in collaboration with the pianist Chucho Valdés and percussionist and singer Pedrito Martinez, sees it in more intimate terms.

"This is all personal," he said in an interview from his Upper West Side home. "It's about sharing, like you do in a family."

Wynton and Chucho

His father, the pianist Ellis Marsalis, introduced him to the music of Mr. Valdés, now 72 years old, a towering presence in Cuban music. With Irakere, the group Mr. Valdés led for nearly 30 years, as with his current band, the pianist did many things, including bringing the batá—the trio of two-headed hourglass-shaped drums essential to Santería—into a modern context informed by both Cuban traditions and jazz.

On the phone from Havana, Mr. Valdés recalled showing up at Mr. Marsalis's home in 1996 with two pages of tumbaos, the melodic and rhythmic loops that ground Afro-Cuban popular music.

"Learn these," he told the trumpeter.

"Chucho has been like another father ever since," said Mr. Marsalis, who is 52.

And a collaborator: For Mr. Marsalis's 2010 Cuban residency, Mr. Valdés composed "New Orleans," in tribute to Mr. Marsalis's hometown.

In New York City, where Mr. Marsalis's life and orchestra are based, Afro-Cuban influence has flowered anew on the jazz scene. Pianist Arturo O'Farrill's Afro Latin Jazz Orchestra has expanded the very concept of such connections.

Pedrito Martinez

Ritual batá rhythms were central to recent projects led by the American pianist Michele Rosewoman and Cuban saxophonist Yosvany Terry. Both of those bands showcased the percussion and singing of Mr. Martinez, 41, who moved from Cuba to the U.S. in 1998, and whose ongoing residency at a Manhattan Cuban restaurant, Guantanamera, attracts high-profile players from all walks of music. Eric Clapton led Mr. Marsalis there four years ago.

For "Ochas," Mr. Valdés is the spiritual guide, Mr. Marsalis said, and Mr. Martinez is the teacher, demonstrating rhythms and explaining associations. The circle of collaborators includes bassist Carlos Henriquez, from Mr. Marsalis's orchestra, who served as "musical translator," Mr. Marsalis said.

The Cuban musicians augmenting the orchestra will include percussionists Román Díaz, Mr. Martinez's mentor, as well as Dreiser Durruthy Bombalé, a standout within Mr. Valdés's group.

With his piece, Mr. Marsalis aims to express "the meaning of the religion as it passes through the sound of the batá drums," he said, and to capture a spiritual essence that has long coursed through jazz.

Technically, there's a steep challenge. "The batá rhythms are complex and specific," said Mr. Martinez. "If the horn section loses that, it will be a mess."

And yet the promise is great. The harmonies Mr. Marsalis has introduced to ritual melodies have "already changed the way I hear them and sing them," he said.

The premiere of "Ochas" reflects a cross-cultural connection taking firmer hold at institutions such as Jazz at Lincoln Center, as well as Mr. Marsalis's sense of familial sharing. The piece owes much to the late pianist Bebo Valdés, Chucho's father, whose legacy is the focus of an exhibit opening Tuesday at the National Jazz Museum in Harlem.

Via rare recordings, photographs, films, recorded interviews and a Tuesday-night lecture series though Sept. 30, "Bebo Valdés: Giant of Cuban Music," tells an unlikely story of stardom, obscurity and then even greater acclaim. It details the career of a pianist who played on the earliest Cuban jazz recordings, pioneered use of the batá in popular Cuban music, and helped, as one of the exhibit's curators, Ned Sublette, put it, "polyrhythmicize the jazz band."

The exhibit recalls Bebo's collaborations with American musicians as house pianist and arranger during the heyday of Havana's Tropicana nightclub, and how Chucho, then a young child, "learned to play Jelly Roll Morton by listening to my father play ragtime."

It traces blood bonds that course through so much current New York City music, including Mr. Marsalis's piece, and that invigorate any understanding of jazz's story.

—Chucho Valdés, Pedrito Martinez and Wynton Marsalis open Jazz at Lincoln Center's 2014-2015 season on Thursday at Rose Theater (also Friday and Saturday) Broadway at 60th St., jazz.org.

 

"Bebo Valdés The Father of Afro-Cuban Jazz" opens today (September 16) at the National Jazz Museum in Harlem, 104 E. 126th St., Suite 2D;jazzmuseuminharlem.org.

See too www.jazzcaribe.blogspot.com (08/26/2014)

The Wall Street Journal - Larry Blumenfeld

Jazz Caribe Playlist September 14, 2014-¡¡Viva The Latin Jazz!!

www.jazzglobalbeat.blogspot.com

Luis Raul Montell    

                                                                       

www.jazz-caribe.org

www.jazzven.blogspot.com  

www.jazzcaribe.blogspot.com

   

Hola Amigas y Amigos de la buena música:

Los invito a sintonizar este y todos los domingos 97.1 la FM de Barlovento,  para que de 10:00 a.m. a 12:00 m. disfrutemos de Jazz Caribe (PNI 10510), con lo mejor del  jazz latino, noticias, entrevistas, comentarios y festivales, bajo la dirección de Iván Messori.

Nos encontramos en Río Chico (tierra ardiente y del tambor, de las mujeres bellas y del cacao más sabroso del mundo), importante zona turística y de gran desarrollo en Venezuela, frente a nuestro  hermoso y majestuoso Mar Caribe, a tan solo 1 hora y 15 minutos de la capital, Caracas.

Este domingo, 14 de Septiembre 2014, estamos de estrenos, como siempre, con: Kevin Cline y "Make Up Your Mind", Dawan Muhammad y "Preaching To The Choir", cerraremos con Ritmos Unidos(con su lideres Michael Spiro y Wayne Wallace) y su lanzamiento "Ritmos Unidos"...gozalo!...ademas de:

Kevin Cline               After The Rain           Make Up Your Mind       K.C. Mus

Kevin Cline        Shirley Nor Forgotten     Make Up Your Mind       K.C. Mus

Kevin Cline            Happy-Go.Lucky           Make Up Your Mind       K.C. Mus

    

Lo Peor N. Vasquez   Presidente Dante     Lo Peor N. Vasquez    Youkali Mus

Mark Weinstein           Nostalgias                    Todo Corazon          Jazzheads

Orquesta La 33         Marejada Feliz        Sono Sono Tite Curet  Banco Popular

C ristina Braga        Samba e Amor       Samba, Jazz and Love      Enja Rec

Dawan Muhammad     Mi Amor            Preaching To The Choir  LifeForce Jazz 

Dawan Muhammad  A Love Supreme  Preaching To The Choir  LifeForce Jazz

Dawan Muhammad        Preaching To The Choir       """"""         LifeForce Jazz

Mike Bardash           Kenny's Klave                      Polygon              Rhombus Rec

Amanda Russa           Costanera           This is Waht Happened          A.R.

Bill McBirnie          Find Your Place             Find Your Place           Extreme Flute

Peruchin Jr.          Malanga Amarilla        Malanga Amarilla            Egrem

Ritmos Unidos         Ochun Suite                   Ritmos Unidos         Patois Records

Ritmos Unidos        Ritmos Unidos                Ritmos Unidos         Patois Records

Recuerde siempre: “Regale buena música e instrumentos, se lo agradecerán todos los obsequiados”.

¡¡Amor y Jazz!!,

Luis Raúl Montell

“Alma es el Latin Jazz”

                                                                                        Jazz Caribe

 Casilla de Correos 66205, Plaza Las Americas, Zona Postal 1061, Caracas-Venezuela

Telefonos: Cel 0414-354090; Skype jazzcaribe

Correos Electronicos: jazzcaribe2001@yahoo.com; jazzcaribe@hotmail.com