Seguidores

sábado, 31 de agosto de 2024

April Aloisio and Joanie Pallato make up a fantastic duo and release the album "April & Joanie Sing!"

 


April & Joanie Sing!

Musicians: April Aloisio (vocals); Joanie Pallato (vocal); Fareed Haque, Tomas De Utrera (guitar); Mark Walker (drum); Bradley Parker- Sparrow, King Fleming (piano); Howard Levy (harmonica); Johnny Frigo (violin); Dede Sampaio (percussion); Brad Goode (trumpet); Gerard Aloisio (trombone, bass); Bob Dorough (back vocals)

Tracks List: I Feel Free; Samba Do Soho; True; It Ain't Necessarily So; Brazilian Rats; Antonio's Song (The Rainbow);Two Sparrows; Little Sparrow (Gorrión); Improv Sparrows; Simone; Live!; Bebê; Have A Merry Christmas; While My Guitar Gently Weeps

April & Joanie Sing! April Aloisio and Joanie Pallato Vocalists April Aloisio & Joanie Pallatto Curated Compilation from 1986-2024 Take a journey with April Aloisio and Joanie Pallato blending music and friendship with April & Joanie Sing! in this compilation of their vocal duet from 1986-2024 on Southport Records. April Aloisio, a sensuous and passionate soprano and Joanie Pallatto, a sultry and inviting alto, agree that there are times when they can't tell each other apart — sharing in harmony, scat and improvisation. These fourteen songs reflect many different styles, from Gershwin to The Beatles, from Hermeto Pascoal to Michael Franks, with a musical dose of original jazz, book ended with two new tracks featuring guitarist Fareed Haque.

They have a special taste for Brazilian jazz music that they masterfully develop in recording, which will be available from September 6, 2024.

It really is a refreshing, relaxing production and above all made with a lot of love and passion for April, Joanie, and all the musicians who supported them. They also had valuable arrangements by Cliff Colnot.



April Aloisio:

Although not well known nationally, April Aloisio is a sensitive and risk-taking jazz vocalist who has been recording in the Chicago area since the 1980s. Aloisio, a native and resident of the Windy City, doesn't have a big, robust voice and isn't a belter. Her voice is small and waifish (with being thin), and if Aloisio was an alto saxophonist instead of a singer, people would compare her to Paul Desmond or Lee Konitz instead of Jackie McLean or Phil Woods. Like many of the artists who came out of jazz's cool school, Aloisio has often demonstrated that favoring subtlety and understatement doesn't make someone any less expressive. Aloisio, who sings in both English and Portuguese, first recorded in 1985; however, it wasn't until 1994 that her first Southport release, Brazilian Heart, came out. That CD ranged from a 1985 recording of the George Gershwin standard "It Ain't Necessarily So" to recordings from 1994. Aloisio went on to record two more albums for Southport in the 1990s: Footprints in 1995-1996 and Easy to Love in 1997-1998.



Joanie Pallato:

Xenia, OH, has produced two jazz musicians of some prominence, trombonist Vic Dickenson and jazz vocalist Joanie Pallatto. While the jazz bug was to come later, the foundation was laid by her musical family. Her father played violin, her mother guitar, and they continually sang together around the house. Around the age of four, she started violin lessons switching to clarinet because she was tired of holding up the violin. Pallatto was turned to singing when auditioning for the school choir, she discovered that not only did she enjoy singing, but she was good. It was at the Cincinnati College Conservatory of Music where she got her first heavy dose of jazz by listening to Miles Davis and Chick Corea. In search for her own vocal style, Pallatto listened to Betty CarterAnnie RossBob DoroughMark Murphy, and Cleo Laine. One of Pallatto's first professional gigs came during the 1970s when she toured with the Glenn Miller Orchestra. Moving to Chicago in 1979, she has made that city her home base. With her husband, Bradley Parker-Sparrow, she was a co-founder of Southport Records, made her first album for them in 1986, and has cut four more albums for that label. Pallatto appreciates that her voice is as much of an instrument as any horn and "plays" it accordingly. Her ability to musically mesh with those she is working with is remarkable and used to exceptional effect on her 1999 release Words and Music. In addition to recording and performing at local jazz venues, Pallatto devotes considerable time on production activities for Southport, which concentrates on recording such renowned Chicago jazz talents as Von FreemanWillie Pickens, and Eldee Young.

Viva The Latin Jazz!!
www.jazzcaribe.blogspot.com
jazzcaribe2001@yahoo.com

miércoles, 28 de agosto de 2024

Latin Jazz will be present this week (last week of August 2024) at DC Jazz Festival and Chicago Jazz Festival (posters)

 



Drummer & bandleader Bobby Sanabria Multiverse Big Band is one of the most anticipated formations in the capital of the United States. His presentation will be on Sunday the 1st. September 2024 at District Pier.

With their album "Vox Humana" Sanabria and Big Band were nominated for the Grammy Awards for best Latin Jazz album and their restless and recognized leader, Maestro Bobby Sanabria, is a multifaceted musician who has given valuable contributions to this musical genre and has a memorable career.

Sanabria and Multiverse BB will be followed by the famous singer Diane Reeves, on the same stage.


The DC Jazz Festival, in Washington, will have performances starting today, Wednesday, August 28, 2024, by Lakecia Benjamin & Phoenix, Samara Joy, Kenny Barron Voyage Trio, Nicholas Payton + Light Beings, David Murray Quartet, Carmen Lundy, Bill Frisell Four , Ron Carter Trio and more...

Chicago Jazz Festival 2024

Meanwhile in Chicago everything is ready to start tomorrow, August 29, 2024, its Jazz Festival.

This year's emblem of the Chicago JF is this work of art by Raymond A. Thomas, which reflects African culture, with intense color and influence throughout the Western Hemisphere.



Tomorrow as a preview at Preston Bradley Hall there will be: The New Deal Gipsy Jazz Band and The Miguel de la Cerna Quartet.
Friday, August 30, 2024 - From now on at Millennium Park:
After Billy Harper Quintet, one of the most notable exponents of Latin Jazz will take the stage: trumpeter Charlie Sepulveda & The Turnaround, who now has a new project: Urbajazz that he has presented and broadcast in his native Puerto Rico.


There will be presentations by jazz ensembles and bands from schools and universities on Saturday the 31st, when: Rene Marie & Experiment in Truth and Kenny Garrett and Sounds From Ancestors will perform.


On Sunday the 1st. September will be on stage: Alejandro Salazar and the Afro Cuban Exchange, Eddie Henderson, Orrin Evans and the sensational Spanish Harlem Orchestra with its leader Oscar Hernandez and his wonderful repertoire.
There is more...

Viva The Latin Jazz!!
www.jazzcaribe.blogspot.com
jazzcaribe2001@yahoo.com

Note: In "The Bible of Latin Jazz" book (Amazon) you can have information about our entire musical genre, its exponents and recordings.

lunes, 12 de agosto de 2024

Victor Rendon & Bronx Conexion Latin Jazz Big Band through their new album gives us the stew of "Funky Frijoles"

 


FUNKY FRIJOLES

Musicians: Victor Rendon (bandleader, timbales, timbalitos, drum set, cua, bata); Wilson "Chembo" Corniel (tumbadoras, congas, guiro, bata); Cascadu (shekere, dundun, clave, bata); Yasuyo Kimura (bongo, cencerro, maraca); Jessica Valiente (woodwinds oute, piccolo); Al Acosta, Jorge Castro (alto saxophone); Paul Carlon, Peter Brainin, Joe Stelluti (tenor saxophone); Karl Watson (baritone saxophone); Anibal Martinez, Kathleen Doran, Guido Gonzalez, Mark McGowan (trumpet, flugelhorn); Rick Faulkner, David Chamberlain, Leonard Walworth, George Saenz (trombone); Joe Mannozzi (piano); Michael Viñas (bass)

Tracks List: Bronx Detour; Malagueña Salerosa; ¡Basta!; Funky Frijoles; The Moment; Bomba Dreams; Morningside; Black Water

Experience and excellence come together at Victor Rendon to worship our musical genre with the support of friends ranked among the best in the performance of their instruments.
Rendon's history shows constant development alongside his valuable team.

If we add to this the guest stars: Wilson "Chembo" Corniel, Peter Brainin, Jessica Valiente, Paul Carlon, Rick Faulkner and Michel Viñas, we have an all star.

Victor Rendon & Bronx Conexion Latin Jazz Big Band gives us this work "Funky Frijoles" that not only increases his distinguished discography, but also a valuable contribution to Latin Jazz, its chroniclers, fans, music schools, radio programs, etc.


Now let's get to know a little about "Funky Frijoles":
“Bronx Detour” composed/arranged by Víctor Rendón. This tune is a classic Latin-jazz mambo, written in the blues form. The participation of Jorge Castro on alto saxophone, Rick Faulkner on trombone and Chembo Corniel on congas stands out; "Malagueña Salerosa" arranged by Joe Mannozzi. A Mexican classic and the only version on our next release. It features Guido González on trumpet, Michael Viñas on bass and Jessica Valiente on flute; "¡Basta!" composed and arranged by Joe Mannozzi. A fast Latin-jazz mambo that stands out for the participation of Paul Carlon on the tenor saxophone and Víctor on the timbales and timbalitos, in the style of Tito Puente; “Funky Frijoles” composed and arranged by Víctor Rendón. A rhythmic composition that makes use of varied rhythmic figures and moving lines in the winds, performed over a funk rhythm on bass, piano and drums. The participation of Paul Carlon on the tenor saxophone, Rick Faulkner on the trombone, Cascadú on the African dundun and Víctor on the drums stand out; “The Moment” composed and arranged by Joe Mannozzi. A ballad in bolero time, performed with drumsticks on the drums as well as congas and bongos. It is a beautiful piece highlighted by the participation of Paul Carlon on tenor saxophone; "Bomba Dreams"composed and arranged by Joe Mannozzi. It is a sicá of the Puerto Rican bomb genre. The participation of Peter Brainin on the tenor saxophone, Aníbal Martínez on the trumpet and Chembo Corniel on the barrel congas stand out; "Morningside" composed and arranged by Rick Faulkner. Somewhat reminiscent of the Xavier Cugat Orchestra, this tune begins with Chembo Corniel and Yasuyo Kimura trading riffs on congas and bongos. Joe Stelluti stands out on tenor saxophone. “Black Water” – composed and arranged by Rick Faulkner. This melody is an Afro-Cuban bembé in 6/8 with a shuffle rhythm on the drums. Batá drums are added later in the melody, giving it a boost until the end. Rick Faulkner stands out on trombone and Jessica Valiente on flute.



Victor Rendon:

Drummer/percussionist Victor Rendón is a highly respected educator, author, and veteran of the New York City Latin music scene. He studied intensively for many years with Jimmy Ramirez, Dr. Rosemary Small, Louie Bauzo, John Almendra, “Little” Ray Romero, Frankie Malabe, Mike Collazo Sr., Pablo Rosario, Changuito, Roberto Borrell, John Amira, Morris “Arnie” Lang, as well as jazz drummers Paul Guerrero, Henry Okstel, & Charli Persip among others. He has worked as a side man with Mongo Santamaria, Chico O’Farrill, Carlos "Patato" Valdés, Ray Santos Orchestra, Grupo Caribe, Latin Jazz Coalition, The "New" Xavier Cugat Orchestra, Grupo Latin Vibe, Los Mas Valientes, Rudy Calzado, and many others. 

 

As an author/transcriber, his work has appeared in Modern DrummerPercussive Notes, LP NewsletterMusic in Motion FilmsDCI Music VideoDrum! Magazine, and Warner Bros. Publications. He is author of The Art of Playing Timbales distributed by Alfred Publishing. For several years Victor also published his own semi-annual magazine, Latin Percussionist. Rendón, who holds a Bachelor of Music from the University of North Texas and a Masters degree in education from Hunter College, has had a lengthy career teaching instrumental music and Latin percussion in the New York City Public Schools. 

 

Formerly co-leader of the Rodríguez/Rendón Latin Jazz Orchestra, he now leads the Bronx Conexión Latin Jazz Big Band and the percussion group: Co-Tim-Bó. Currently, he teaches and directs the Percussion Ensemble and also the Latin-Jazz Ensemble at Lehman College in the Bronx. A successful clinician, he conducts workshops in Latin percussion styles.


Viva The Latin Jazz!!


www.jazzcaribe.blogspot.com

jazzcaribe2001@yahoo.com


Note: If you want to know more about the honorable musical career of Victor Rendon & Bronx Conexion Latin Jazz Big Band, I invite you to read or consult the book "The Bible of Latin Jazz" (Amazon).


viernes, 2 de agosto de 2024

Otmaro Ruiz & Bruno Mangueira with a special "Essencia"


ESSENCIA

Musicians: Otmaro Ruiz (piano, keyboards); Bruno Mangueira (guitar, acoustic guitar)

Tracks List: Acordando; Obsesion; Samba Pro Toninho; And Then She Smiles (Maya’s Song); Tu Mi Delirio; The Simple Life; O Escultor De Sons; Santa Clarita; Living Pictures; Terra Batida

Venezuelan piano virtuoso Otmaro Ruiz and rising Brazilian guitar maestro Bruno Mangueira have released a new album titled "Essencia" (Blue Canoe Records). The album combines Venezuelan and Brazilian traditions along with American jazz and European classical influences.

All the compositions are by Otmaro and Bruno, except for Obsesion by Don Pedro Flores and Tu Mi Delirio by Cesar Portillo de la Luz.

They, Otmaro and Bruno, are also the producers of the album "Essencia", which has a duration of 1 hour: 21 min., which you can enjoy listening to, dancing on a little brick.


Otmaro Ruiz:

Born in Caracas, Venezuela. Otmaro began his musical studies at the age of eight, at the "Juan Manuel Olivares" Conservatory, where he attended academic classes which covered: theory, harmony, ear training, history & aesthetics, and analysis. This included eight years of Classical Guitar studies with professor Jose Maria Verdu.

In 1989, with partial financial aid from the Ministry of Culture (CONAC), he moved to Los Angeles, California, where he culminated his academic training at the California Institute of the Arts (CALARTS), receiving a Master Degree in Jazz Performance (1993), studying with professors David Roitstein, Paul Novros, Charlie Haden, Alfred & Kobla Lapzecko, and Amiya Dasgupta.

Otmaro has recorded 5 solo projects: "Otmaro Ruiz plays Ryuichi Sakamoto" (MIDI Inc, 1991), "Distant Friends" (MIDI Inc. / Moo Records -1993 Japan/1996 U.S.), "Nothing to Hide" (MIDI Inc./MMP Records – 1996 Japan/1999 U.S.) and “Latino” (M&I Japan 2005). His latest solo production as a leader, “Sojourn”, was released in early 2008 to raving reviews worldwide. His TV jingles in Venezuela have won him the prestigious ANDA Award 3 times, and he has received the prestigious recognition from the "Venezuelan National Institute of the Arts" for his professional achievements in a foreign land. In 2000, Otmaro Ruiz was awarded a Grammy certificate for his participation on Dianne Reeve's "In The Moment – Live in Concert" and was nominated in the same year for his collaboration as composer/performer in Alex Acuña's release "Acuarela de Tambores”. His work as a composer for the "Weston Woods Studios" children release "Chato and The Party Animals" won the "2004 Audie Award", the CINE Golden Eagle and the Bronze REMI at the 2004 Worldfest-Houston International Film Festival in the Children Production Category. His has written the soundtrack for 5 short animation films by celebrated director Ricardo Barahona, which have obtained international recognition in the Film Festival Circuits. Otmaro was voted “Pianist of the Year” and “Artist of the Generation” 2008 for the Latin Jazz Corner Magazine. In 2012, Mr. Ruiz was awarded an Honorary Doctorate in Music by Shepherd University and his work as arranger/producer received the recognition of the American Academy of Recording Arts with a Nomination for the Grammy Awards 2016 (Catina DeLuna and LADO B Brazilian Project). This project, his latest, has elevated Brazilian popular music to new levels, according to the immense volumes of international reviews. In 2019, with his Trio “Elemental” featuring Jimmy Haslip and Jimmy Branly, Otmaro got a Double Nomination at the Latin Grammy Awards for “Best Arrangement” and “Best Jazz Album”. His latest duet project with famed Brazilian guitarist Bruno Mangueira, Essência, an elegant and intimate mix of South American, Jazz and European musical traditions, was released in March 2020 and is already catching the attention of the international reviewers and specialized critics.

Otmaro was part of the keyboard department at Cornell School of Contemporary Music (Glendale, CA) and also was an adjunct Jazz Piano Faculty at University of Southern California for over 6 years. He teaches privately, and conducts Jazz Piano seminars and workshops in the United States and around the world, still finding time for recording sessions in Los Angeles, and leading his own quintet which includes: Jimmy Branly on drums, Carlos Del Puerto on acoustic bass, Larry Koonse on guitar and Katisse Buckingham on sax/flute. He works in his own recording studio in Santa Clarita, CA.




 Bruno Mangueira:

BRUNO MANGUEIRA was born in Vitoria, Brazil in 1978. He has been appearing on the Brazilian and international scenes as a guitarist, composer and arranger. He started playing guitar at the age of 4, through his father. At 16 he began his professional activities as a big band guitarist. 

Bruno has participated in concerts and recordings alongside Brazilian artists including Zizi Possi, Leila Pinheiro, Toninho Horta, Nelson Ayres, Gilson Peranzzetta, Paulo Jobim, Filó Machado, Sizão Machado and Helio Alves. His work with American artists has included Phil DeGreg, Rick DellaRatta, Mandy Gaines, Kim Pensyl and Paul Keller. In Paris, he has played with Leonardo Montana, Bruno Schorp and Fred Pasqua.

His recordings include the CDs Azeviche, (2007) Bruno Mangueira (2009), Camburi (2013), Without Borders (2019), and Essência (Blue Canoe Records, 2020). The last two albums were produced in the U.S., in collaborations with pianists Phil DeGreg and Otmaro Ruiz.

His educational activities include the Sao Paulo State Music School – Tom Jobim, numerous guest masterclasses and workshops in Brazil and at North American universities including the Univ. of Louisville and Univ. of Cincinnati. He is currently a professor at the University of Brasilia (UnB), specializing in Brazilian and Jazz Guitar and Harmony.

Viva The Latin Jazz!!

www.jazzcaribe.blogspot.com

jazzcaribe2001@yahoo.com

Note: More information in "THE BIBLE OF LATIN JAZZ" book (Amazon).