The Great Musical Reunion: Jersey City Latin Jazz Festival 2025!!

 

This artistic, cultural, educational and tourist event sets an important precedent, because although it is only two days, Friday 5 and Saturday 6 September 2025, the lineup it presents is extraordinary, worthy of calling it: The Great Musical Reunion: Jersey City Latin Jazz Festival 2025.

Just like in the old days, Jersey City will host top stars representing Latin Jazz, all gathered together to thank and celebrate their fans and enthusiasts of our music.

Of course, not everyone will be there; their time will come, but there's no doubt about the effort to bring them together.

We hope this festival will spark new ideas and renew other festivals in our musical genre.

Jersey City Latin Jazz Festival 2025 Program:

Friday, September 5, 2025

• 6PM - Dave Schumacher & Cubeye - RWJ Barnabas Plaza Stage

• 7PM - Alex "Apolo" Ayala & The Bámbula Project - RWJ Barnabas Plaza Stage

8PM - Circle 9 Presents: Doug Beavers ‘Titanes del Trombón’ – tribute to John ‘Dandy’ Rodriguez - RWJ Barnabas Plaza Stage

Saturday, September 6, 2025

• 2PM - UCMP Latin Jazz - RWJ Barnabas Plaza Stage

• 3PM - WBGO Music for Kids Series featuring Juanga Lakunza - Courtyard Stage
• 4PM - John Benitez - RWJ Barnabas Plaza Stage
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• 5PM - Chembo Corniel Quintet - Courtyard Stage
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• 6PM - Bobby Sanabria & Ascension - RWJ Barnabas Plaza Stage

• 7PM - Melvis Santa - Courtyard Stage
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• 8PM - The Palmieri Experience presented by Luques Curtis - RWJ Barnabas Plaza Stage

• 2-6PM - Kids Activities - Jersey City Free Public Library Community Zone
• 4-7:30PM - Dance Lessons by Salsa Fever on2 - Owen J. Grundy Pie

The event will feature 10 bands including tributes to Eddie Palmieri and John “Dandy” Rodriguez that include many past members of their groups. The event will take place at Exchange Place Plaza on the Hudson River waterfront on Friday, September 5 from 6pm to 10pm and Saturday, September 6 from 2pm to 10pm. The festival is free-to-the-public and is presented by Exchange Place Alliance.

 

“This year is an incredibly special year. We will be honoring two absolute titans of Afro-Cuban music that have left an indelible mark not only on our festival, but a worldwide influence on music in general” says festival director Bryan Beninghove. “So many musicians in our community have played, recorded, or have been directly influenced by Eddie Palmieri and Dandy Rodriguez. It’s going to be a real honor to have all these members of their bands there to celebrate their lifetimes of music.”

 

On Friday, September 5 three bands will perform on the RWJ Barnabas Plaza stage. They include the horn-driven septet Dave Schumacher & Cubeye (6pm), bassist Alex “Apolo” Ayala & the Bámbula Project (7pm), and Doug Beavers “Titanes del Trombón” Tribute to John “Dandy” Rodriguez (8pm). The early afternoon of Saturday, September 6 will have plenty of kids’ activities including performances by the United Children’s Music Project Latin Jazz Ensemble (2pm) and the WBGO Music for Kids series featuring trombonist Juanga Lakunza’s History of the Clave (3pm).  At 4pm the great bassist John Benitez (also a Palmieri alum) will lead his ensemble, followed by the hard-hitting percussionist Chembo Corniel’s Quintet (5pm). At 6pm the 7-time Grammy nominee, percussionist, and WBGO on-air personality Bobby Sanabria will perform with his group Ascension, followed by the Cuban-born pianist/vocalist and Jersey City resident Melvis Santa (7pm), fresh off her tour with the iconic saxophonist Kenny Garrett. Closing out the festival will be the Palmieri Experience at 8pm presented by Luques Curtis and will feature many members of the late great maestro’s band.

 

Eddie Palmieri, the dynamic musical innovator who shaped Latin music perhaps more than any other artist, passed away on August 6, 2025. He was a fiery performer that fused jazz, R&B, and traditional Latin music to create the sounds that ushered in the heyday of the Salsa era. Palmieri performed at the 2023 Jersey City Jazz Festival with Sonido Solar. Bassist Luques Curtis had been performing with Palmieri for years and will be leading the ensemble for the tribute. 

 

“Everyone in this group has played a vital role in Eddie Palmieri’s legacy” says Curtis. “He has profoundly shaped each of our careers, giving us all the chance to grow and shine. We’re deeply grateful for the opportunity to present this tribute and honor the greatest bandleader, mentor, and friend anyone could ask for.”

 

John “Dandy” Rodriguez was one of the world’s leading percussionists, having long played bongo with the likes of Tito Puente, Willie Bobo, Johnny Pacheco, Celia Cruz, and many more. Dandy had performed annually at Riverview Jazz events since 2016 and often with trombonist and Circle 9 record label founder Doug Beavers.

 

“I met Johnny Rodriguez serendipitously back in 2000 when I was called to arrange for and ultimately perform with Eddie Palmieri’s La Perfecta II band, where he was playing bongos,” recalls Beavers. “What blows my mind now in 2025 is that I was sitting in the midst of so much legacy and history from these two combined icons of salsa music and Latin Jazz – together they performed with all of the founders:  Tito Puente, Machito, Tito Rodriguez, Celia Cruz, Cachao, Johnny Pacheco, Típica ‘73…the list goes on and on.”

  

Beavers continues, “The tradition lives on with all of us who had the opportunity (and luck) to learn from both of these legends of our music.  Most interestingly – or perhaps by fate – on September 5th and 6th, we disciples of both Eddie and Johnny will find ourselves in the unique position to celebrate both of these icons here right here at Jersey City Latin Jazz Festival.”

Viva The Latin Jazz!!

www.jazzcaribe.blogspot.com

jazzcaribe2001@yahoo.com

Note: The bestselling book "The Bible of Latin Jazz" by musicologist, writer, and educator Luis Raul Montell is available on Amazon

“The Boy from Olho d'Água”: documentary about life and work of Hermeto Pascoal!

Film by Lírio Ferreira and Carolina Sá had its world premiere at IDFA 

The documentary "O Menino d'Olho d'Água," about Brazilian multi-instrumentalist Hermeto Pascoal, maked its world premiere, at IDFA 2024 (International Documentary Film Festival Amsterdam), one of the world's most important documentary festivals. Directed by Lírio Ferreira and Carolina Sá, the feature is part of the Luminous section, which showcases films of distinct styles.

"The Boy from the Water Eye" is a Coqueirão Pictures production that explores the life and work of iconic Brazilian musician Hermeto Pascoal, focusing on three distinct segments: a recent performance by Hermeto, at age 88, which captures his artistic genius at its peak; an exploration of his childhood memories in the backlands of Alagoas, revealing the origins of his musical influences; and an intimate conversation with the artist, in which he shares his music and reflections on his creative process. The production was made possible by Curta! with resources from the Audiovisual Sector Fund (FSA) and is scheduled to premiere on the channel in the first half of 2025.

SYNOPSIS

In Hermeto Pascoal's music, when we confront the harmonic complexity and unravel its countless layers, what emerges is a hauntingly simple sound, directly reminiscent of his childhood in the backlands of Alagoas, in the town of Olho d'Água Grande. The film is built on three pillars: a recent recording of a Hermeto Pascoal concert at the height of his 86th birthday, a delve into his childhood and emotional memories, and an interview with him, who produces what he does best: music.

Two of Maestro Hermeto Pascoal's greatest hits:

Hermeto Pascoal - Música da Lagoa (Sinfonia do Alto Ribeira, 1985)

https://youtu.be/lZbfNtDCHdM?si=1Vd7Z3S2Ql2ylwsX 

Hermeto Pascoal - Fatima (Montreux Jazz Festival-July 1979)

https://youtu.be/0Ca-c1DF6WY?si=N6rtH_xfpc-u40yj

Viva The Latin Jazz!!

www.jazzcaribe.blogspot.com

jazzcaribe2001@yahoo.com

Note: The bestselling book "The Bible of Latin Jazz" by writer, musicologist, and educator Luis Raul Montell is available on Amazon.

Catina Deluna & Otmaro Ruiz present the music of their Grammy nominated Lado B Brazilian Project 2!

LADO B BRAZILIAN PROJECT 2

"This exquisite Brazilian Jazz album by Catina Deluna and Otmaro Ruiz is refreshing, elegantly blending the past with the present. One that highlights obscure Bossa Nova gems and offering reinvented versions of well-known classics"

Musicians: Catina Deluna (vocals); Otmaro Ruiz (piano, accordina, synthesizer, composer, arranger); Larry Koose (guitars); Edwin Livingston (bass); Derek Oles (bass 9); Edu Ribeiro (drums); Special Guest: Gregory Beyer (percussion, mallets); Bob Sheppard (sax, clarinet, alto flute); Bruno Mangueira (acoustic guitar 4, 5); Carol Robbins (harp); Jimmy Branly (udu clay pot 6); Fabio Cadore (vocals 5)

Tracks List: Passarim; Mar E Lua; Na Volta Que O Mundo Da; Requebre Que Eu Dou Um Doce; Choro Das Aguas; Aguas de Marco; E Luxo So; Aluviao; Meu Silencio (Velho Companheiro); Vatapa

Behind the Scenes - The making of Lado B Brazilian Project 2: great work, harvest a wonderful recording

The program begins with Antônio Carlos Jobim’s “Passarim,” a piece that DeLuna has known since she was gifted the recording as a child. The melancholy piece compares man’s destruction of nature to fleeting love, with Ruíz’s arrangement providing driving motion and elements of nature enhanced by a background choir. The theme of Chico Buarque de Hollanda’s “Mar e Lua” remains prescient as it speaks of the dangers of love between two women and their sad story. Ruíz’s arrangement is cinematic in scope and assisted by Carol Robbins' elegant harp playing. The simplicity of Vicente Barreto and Paulo César Pinheiro’s adventurous “Na Volta Que O Mundo Dá” makes the piece’s beauty instantly infectious.

 

Dorival Caymmi’s naively suggestive “Requebre Que Eu Dou Um Doce” gets a playful choro arrangement for its agile melody featuring Sheppard’s lithe clarinet and Bruno Mangueira’s acoustic guitar. It took some time and living for DeLuna to want to attempt Ivan Lins and Vitor Martins’ heartbreaking and romantic “Choro Das Águas,” an undercelebrated piece by the master songwriters. DeLuna is joined by vocalist Fabio Cadore on this song, accompanied by Sheppard’s soulful tenor sax. “Águas de Março {Waters of March)” is one of Jobim’s most beloved songs and DeLuna and Ruíz knew they would have to transform it to pull off a new interpretation. Ruíz reverses the simple harmony and adds Sheppard’s flute and Jimmy Branly's Udu clay pot for an Indian motif that heightens the connection between the rains of Brazil and the monsoons of Southeastern Asia. 

Ary Barroso and Luiz Peixoto’s “É Luxo Só” celebrates the luxury of dancing and is a perfect vehicle to showcase the drumming of Ribeiro in duo with DeLuna. The couple fell in love with “Aluvião,” written by friends Delia Fischer and Sérgio Natureza. Their impactful arrangement leans into a supernatural feeling as the tune speaks of the washing away of love like floodwaters taking sediment to the sea. Claudio Nucci and Luiz Fernando Gonçalves’ emotionally charged “Meu Silêncio” recalls a somber attempt to reach a friend that has passed away. Derek Oles' acoustic bass adds balance to the somber ballad. The program concludes with Caymmi’s “Vatapá,” the fun and snappy piece that lists a recipe for a classic Brazilian meal performed by DeLuna and Ruíz in a moving duo.

Your Bossa Jazz combines elements of traditional samba with jazz influences, especially in its complex harmonies and rhythmic patterns.

It is easy to become attached to tradition when performing Brazilian song. CATINA DELUNA and OTMARO RUÍZ use their unique voices to create a stand-out experience with the brilliant source material of Brazilian songwriters on their new recording, LADO B BRAZILIAN PROJECT 2.

In 2016, Deluna and Ruiz recorded Lado B Brazilian Project with top-tier Los Angeles-based musicians guitarist Larry Koonse, bassist Edwin Livingston, saxophonist Bob Sheppard, percussionist Aaron Serfaty and drummer Alex Acuña. Although the album was an independent project with limited resources and no promotion, they earned a GRAMMY nomination for BEST ARRANGEMENT, INSTRUMENTS AND VOCALS.

Catina Deluna:

Born in Campinas, São Paulo, Brazil, Catina DeLuna grew up in a musical environment. Her father is a music lover and a huge supporter of local musicians, and her mother, a classical music aficionado. Catina grew up with frequent gatherings of musicians in her home, called saraus, where music played all night long. These seminal memories served as her first musical education and would become the primary inspiration for the unique musician Catina has become. A Bossa Nova fan in her teens, Catina fell in love with jazz piano. She began her performing career at age sixteen, playing solo piano in local venues and recording jingles both as a pianist and singer at top studios. Later, she received a B.A. in Brazilian Popular Music at the prestigious UNICAMP University in São Paulo and a M.M.A in Music at Northern Illinois University. Additionally, she served as a visiting scholar at the University of Illinois at Urbana-Champaign.

Catina fuses genres in a unique blend of jazz and traditional Brazilian music, all with a melting tone, agile and emotive phrasing, and a singular, warm timbre. Whether singing or playing the piano, Catina is deeply informed by her experience composing and arranging, offering a sophisticated, evocative performance that only exists in a lifelong listener to Brazilian music, a speaker of its native tongue, and the extraordinary vision and musicianship to reimagine the genre in a contemporary context. Catina founded and developed two award winning musical groups in Brazil. In the United States, her debut album, "Catina DeLuna & Lado B Brazilian Project featuring Otmaro Ruiz” co-led by master pianist and arranger Mr. Ruiz received a GRAMMY nomination in 2016.

DeLuna’s voice is warm, clear and unaffected. There is authenticity to her approach, sound and style. As a native Portuguese speaker, she embodies the language and it contributes significantly to the effectiveness and effortless storytelling she conveys in her work.

She is equally accomplished at the piano. Vocally, she is technically savvy without sacrificing one iota of her performance prowess nor relying on licks or histrionics. She sings beautifully with a range of emotions with the same efficacy of legendary singers like Elis Regina, Gal Costa, or Tania Maria while being unrestrained in her presentation.
She was nominated for a Grammy in 2016 for Best Arrangement.

Otmaro Ruiz:

Considered one of the most important jazz pianists in the current scene, venezuelan Otmaro Ruiz is known for his versatility and virtuosity. After working intensively in Venezuela with artists such as Soledad Bravo and Ilan Chester, Otmaro moves to Los Angeles in 1989 to join the group of great names of the jazz world such as Alex Acuña, Justo Almario y Abraham Laboriel, with whom still collaborates in diverse projects.

With an intense musical career, filled with concerts, workshops and recordings worldwide, Otmaro worked for 5 years with Dianne Reeves as a pianist and musical director. During this period, Otmaro participated in the recording project of her CD “In The Moment – Live in Concert”, which won the Grammy Award 2001. In that same year, Alex Acuna’s album “Acuarelas de Tambores, also with Otmaro’s collaboration, was nominated to a Grammy. His collaboration with Weston Woods Studios for the Scholastic Series of animated children videos have won important recognitions like the “2004 Audie Award” in the Children Production Category and Bronze Remi at the 2004 Worldfest-Houston International Film Festival (for the Soundtrack of “Chato and The Party Animals”); Otmaro also received a Life Time Special Award “International Exposure” from the Venezuelan National Artist’s Institute (for outstanding career in a foreign country). In 2012, Otmaro was awarded an Honorary Doctorate Degree in Musical Arts from Shepherd University. His work as an arranger was recognized by the American Academy of Recording Arts with a 2016 Grammy Nomination and a double Latin Grammy Award Nomination in 2019.
The long list of re-known musicians with whom Otmaro works, constantly confirms his versatility, proving that this jazz giant sails with ease in many different styles, from Straight-Ahead jazz to Pop-Rock, from the most authentic Salsa & Afro-Cuban to the most exciting Fusion, with unusual ability to express his own language both at the acoustic piano and in the electronic world of synthesizers. Among these amazing artists: John McLaughlin, Randy Brecker & Bill Evans’ SoulBop Project, Simon Phillips’ Protocol, Tito Puente, Arturo Sandoval, John Patitucci, Paquito D’Rivera, Jing Chi, Nana Caymmi, Dori Caymmi, Akira Jimbo, Frank Gambale, Peter Erskine, David Weckl, Art Davis Quintet, Charlie Haden Liberation Music Orchestra, Alain Caron, Gino Vannelli, Tolu, Frank Morgan, Robben Ford, Vinnie Colaiuta and Jon Anderson.
Regarded as one of the most sought-after keyboardists for recordings in today’s scene, Otmaro is still able to dedicate time to teaching, scoring of movie sound-tracks and to the production of his works as a leader with original compositional material, captured in the CDs “Otmaro Ruiz plays Ryuichi Sakamoto”, “Distant Friends”, “Nothing to Hide”, “Latino” and in his most recent album “Sojourn”. Released in September 2008, Sojourn encompasses the rhythmic complexity, harmonic sophistication and melodic beauty of his most recent compositions, under the architecture of a constant equilibrium, and presented with his own quartet, with the talented Jimmy Branly (drums), Carlos Del Puerto (acoustic bass) y Ben Wendel (saxophones and bassoon). In 2015, Otmaro produces and releases the album “Catina DeLuna and LADO B Brazilian Project featuring Otmaro Ruiz”, earning his first Grammy Nomination in the Arranging category, and in 2018,”Elemental” is released, featuring legendary bassist Jimmy Haslip and Jimmy Branly. “Elemental” marks the realization of a long time dream of producing a more electric infused Fusion project. “Elemental” generated international accolades and a double nomination at the Latin Grammy Awards in the categories of Best Arrangement and Best Jazz Album.
Otmaro Ruiz worked as Jazz Piano Faculty at University of Southern California (USC), at Cornell School of Contemporary Music at Shepherd University, has been a frequent guest clinician at Los Angeles Music Academy (LAMA), at Musicians Institute (MI) and continues to travel the world not only as a performer, but also as an educator, dictating workshops and Masterclasses in top conservatories.

Viva The Latin Jazz!!

www.jazzcaribe.blogspot.com

jazzcaribe2001@yahoo.com

Note: The bestselling book "The Bible of Latin Jazz" by writer and musicologist Luis Raul Montell is now available on Amazon.

Guitarist Pedro Barboza's album "Tres Caminos" (Three Paths) is headed to the Latin Grammys!

"Tres Caminos"

Musicians: Pedro Barboza (guitar, bandleader); Yrvis Mendez (double bass); Pancho Montañez (drums)

Tracks List: De Repente; Ojos, Tejidos y Flores; Duero; Vista al Sur; Tres Caminos; Ebro; Tajo; Recordarte; En Tres Aguas; Turia; Turn Out The Stars; Ter

Pedro Barboza, renowned Venezuelan guitarist and composer, enthusiastically presents his latest album, "Tres Caminos." This project fuses the richness of Venezuelan rhythms with the expressive freedom of contemporary jazz, offering a unique and deeply captivating musical offering.

“Tres Caminos,” produced by the experienced and versatile musician and producer Juancho Herrera, is a musical journey that connects jazz with the rhythms and soundscapes of Latin America. Pedro Barboza's compositions take shape and are enriched through the connection and creativity of Yrvis Méndez and Pancho Montañez, who bring a deep understanding of the language of jazz, making each piece a unique experience.

On April 5, 2025, Pedro Barboza Trio held the formal launch of "Tres Caminos" at the Madrid Jazz Club "Villanos" where no seat was left unoccupied, in fact, a significant number of fans remained standing.

On that occasion Pedro Barboza with Yrvis Mendez and Pancho Montañez, live, presented some of the pieces with grooves in the album such as: "De Repente" a work by Aldemaro Romero "Father of Venezuelan Jazz", "Recordarte" dedicated to Aquiles Baez (a prolific and versatile musician who besides exploring Venezuelan music, also did so with other genres), "Tres Caminos" which also identifies the album (it was the original commitment with Juancho Herrera) and more, I also highlighted the communication and emotion that the musicians maintained with the public during the concert.

Pedro Barboza plays the Creole or Spanish guitar, also known as the classical guitar. This type of guitar is characterized by its nylon strings and its soft, melodic sound, ideal for folk and classical music, which has consistently served him well in his wonderful mixes.
The blend of Venezuelan and classical music with jazz is a significant creative contribution. In addition, all of Barboza's compositions on "Tres Caminos" are inspired by him, except for "De Repente" and "Turn Out The Stars" (Bill Evans).

The album "Tres Caminos" fully identifies with what is considered Smooth Latin Jazz, it is a distinctive, relaxing, pleasant sound.

PEDRO BARBOZA:

Pedro Barboza, guitarist, composer and educator was born in Maracaibo (the land of the beloved sun, oil, gaita, coconut mojito), Venezuela.

Pedro began his musical studies in the late 1980s at the Ars Nova Music School in Caracas and continued them at the prestigious Berklee College of Music, graduating in 1996 with a Bachelor of Music degree.

That same year, he traveled to the Netherlands to study composition at the Rotterdam Conservatory and later earned a Master's degree in Electroacoustic Composition with honors from the University of Hertfordshire in 1998.

At the beginning of the millennium, he won a creation scholarship at the Phonos Foundation in Barcelona, Spain, studying under the tutelage of Gabriel Brncic, the renowned Chilean musician and pedagogue. These experiences further opened his interest in free improvisation and electroacoustic music, and he performed several works in Europe, the United States, and Venezuela.

Later, he founded the Escuela Itinerante de la Música (EiM) to provide comprehensive training to young Venezuelans through student exchanges with other schools on the continent. He is also a professor at the National Experimental University of the Arts (UNEARTE) and a passionate fan of contemporary music and composition. He released his first album, La gran brisa, at the end of 2015.

After completing his studies at the prestigious Berklee College of Music, Venezuelan guitarist and composer Pedro Barboza has developed an artistic career that positions him as one of the most distinctive performers and composers on the Latin American music scene. His constant search has led him to diversify his work within jazz, contemporary music, electroacoustics, and free improvisation. Barboza has achieved his own language and style, weaving each of his influences into a unique musical offering that captivates audiences with the strength and subtlety present in the tradition of ancestral chants, Afro-Venezuelan rhythms, textures, harmonies, and melodies.

"La Gran Brisa" is the title of Pedro Barboza's debut album. This album features the artist's original compositions in the instrumental guitar genre. The album explores diverse textures and atmospheres, offering a unique musical experience. The official release of "La Gran Brisa" was on July 15, 2017.

Viva The Latin Jazz!!

www.jazzcaribe.blogspot.com

jazzcaribe2001@yahoo.com

Note: The bestselling book "The Bible of Latin Jazz" by musicologist, writer, and educator Luis Raul Montell is now available on Amazon.

Premiere tomorrow: Virtuoso saxophonist Cesar Lopez opens the doors of his jazz club!!

With a worthy and exemplary musical career, Cesar Lopez, alto and soprano saxophonist, flautist, composer, arranger, and band leader, is realizing a dream: opening his jazz club.

This coming Saturday, July 26, 2025, is a day of celebration, joy, and celebration for all lovers of good music, and especially for the millions of Latin Jazz enthusiasts, when CESAR JAZZ CLUB opens its doors at Avenida del Puerto No. 52, between Justiz and Obispo Streets, in Old Havana, in front of the boardwalk (malecon).

At twenty years old, in 1988, Cesar López was invited by Maestro Chucho Valdes to join the colossal super band Irakere. In 1985, he had studied at the National School of Arts and began his professional musical career with the distinguished musician Bobby Carcasses.
With Irakere, he developed a fruitful musical career for nine years, taking him to festivals, theaters, and stages around the world, sharing the stage with his colleagues, including Paquito D'Rivera, Arturo Sandoval, German Velazco (whom he replaced), Mayra Caridad Valdes, Orlando "Maraca" Valle, Roman Filiu, Julito Padrón, and Miguel "Anga" Diaz, among others.

Throughout his career, Cesar Lopez has shared the stage with important artists such as Michel Camilo, Wayne Shorter, Herbie Hancock, Tito Puente, Chick Corea, the Marsalis brothers, and more.

In 1997, he decided to form La Habana Ensemble, a select group of musicians who, together, achieved national and international success with their creative Latin jazz.
With his Habana Ensemble, he has recorded nine CDs that have received positive reviews.

Traveling around the world, Cesar Lopez conceived the idea of eventually creating his own Jazz Club, and his continued work and persistence in his dream are becoming a reality, with the obtaining of permits, after three years of intense reconstruction of a building just the way he wanted.

Cesar Jazz Club will be a welcoming venue with various areas for the enjoyment of its visitors and will feature a schedule of performances by top-tier artists.
Cesar has relied on the good taste of his main ally, his wife, Seiko Ishii, for the ideas and decor.

In 2016, as part of The Caribbean Sea Jazz Festival (on the beautiful island of Aruba), I presented Cesar Lopez and Habana Ensemble, discussing his musical career and music, resulting in an exciting presentation with an explosion of revelry from the large audience, many of whom came from neighboring islands and the Netherlands.

Cesar Jazz Club's opening this Saturday, the 26th, will feature a renowned pianist: Aldo Lopez Gavilan, a young Cuban pianist and composer who has won numerous awards and public acclaim. Later, Cesar Lopez himself and the Habana Ensemble will perform. While the show continues, enjoy the following video:

Viva The Latin Jazz!!

www.jazzcaribe.blogspot.com

jazzcaribe2001@yahoo.com

Note: The bestselling book of musical literature, "The Bible of Latin Jazz," by renowned writer, musicologist, and educator Luis Raul Montell, is available on Amazon.

Sergio Mendes leads the world's parties yesterday, today, tomorrow and forever!!

Sérgio Mendes, a musician who emerged with Brazil’s bossa nova movement in the 1960s and became an ambassador for that country’s music around the world, died... NO.

A composer, pianist, producer and singer, Mendes had a prolific career spanning over 60 years, collaborating with everyone from Frank Sinatra and Fred Astaire to the Black Eyed Peas. In a 2020 interview with NPR, he said these “incredible encounters” with musical peers began after his first visit to the United States, in 1962, when he performed alongside other bossa nova greats in a historic concert at Carnegie Hall. After that event, he was stunned to receive an invitation from Cannonball Adderley to work on his album.

In his native Brazil and beyond, artists and celebrities have been paying tribute to Mendes on social media. The Black Eyed Peas’ will.i.am shared a picture of him and Mendes walking together, calling theirs “a timeless friendship.” Brazilian singer Milton Nascimento recalled how much fun they had when Mendes attended his concert in Los Angeles in 2022: “We had many years of friendship, partnership and music, and he will be with me forever in my heart.” Herb Alpert, who produced Mendes’ first international albums, mourned the loss of his “brother from another country,” saying: “He was a true friend and extremely gifted musician who brought Brazilian music in all its iterations to the entire world with elegance and joy.”

Mendes was born in the city of Niterói, in Rio de Janeiro state. When the military dictatorship began in Brazil in 1964, he decided to escape and settle in the United States — a decision that would change his style as well, giving it an international twist. He invited two American singers to join the band he had formed, renaming it Brasil ’66. Their first record, helmed by Alpert, produced “Mas Que Nada,” a modern Brazilian classic and Mendes’ best-known song (though it was originally composerd by another Brazilian icon, Jorge Ben Jor). In 2006, a new version of the song recorded by The Black Eyed Peas in collaboration with Mendes revived the hit — and Mendes’ fame — for new generations.

Mendes held his last performances last year, staging sold-out concerts in Paris, London and Barcelona. In a statement, Brazilian President Luiz Inácio Lula da Silva praised Mendes’ career achievements, which include landing the most songs in the US Top 100 of any Brazilian artist — 14 in total — and receiving a Grammy for the album Brasileiro in 1992. Wrote Lula, “Sérgio Mendes was one of the greatest exponents and promoters of our music and culture in the world.”

As a composer, producer, keyboardist and vocalist, Sergio Mendes helped pioneer the bossa nova movement and popularize Brazilian music globally with his band, Brasil 66. In his over 60-year career, Mendes has been one of the most explorative collaborators in world music, working with everyone from the Black Eyed Peas to jazz great Cannonball Adderley. His new album, In The Key Of Joy, is out now.

                                 

                                     The record features the international range of collaborators that has become typical of his work: Everyone from American rappers like Common and Buddy to Colombian pop stars like Cali y El Dandee join Mendes on the record, alongside mainstays like Gracinha Leporace, Mendes’ longtime partner in both music and marriage.

We spoke to Sergio Mendes about continuing to write joyful music after all these years, getting Joe Pizzulo and his daughter, Sophia, on the same album together and taking his time to enjoy each new release. (“I’m not a workaholic. I’m from Brazil,” he jokes.) Listen in the player above and read on for highlights from the interview.

https://youtu.be/BrZBiqK0p9E?si=eLx4DsoS1TrBhMGA

It always starts with the melody. I wrote the melody with a friend of mine from Brazil, and recorded all the percussion — all the track was recorded in Brazil. When the song was ready, we had the lyrics and everything, I said “It would be great to have a great rapper, like Common.” And it so happened. We called him and he was very happy to be part of it, collaborating on this track. I think it added the diversity that I love about Brazilian music: the rhythms, the melody, the joy. Common is from Chicago. … He brings the joy from Chicago to the world, the same way we bring the joy from Brazil, so it was wonderful.

I’ve been, always, very curious, since I was a kid, working with different guys in Brazil. Then when I came to the United States for the first time in 1962: at the Bossa Nova Festival at Carnegie Hall, Cannonball Adderley invited me to work on his album. And after that so many other incredible encounters in my life: Frank Sinatra, will.i.am. I’ve been very fortunate to have had such experiences because that has enriched my life. Working with different people from different countries, from different cultures, I think it just helps you grow and learn new things. … I love that because you don’t program that; it’s about the magical encounter. I think it’s a beautiful thing in life, meeting Gracinha and so many other people that I had the chance to work with.

That was the first time a song in Portuguese became a hit all over the world — not only here, but in Asia, Europe, everywhere. Then it was a hit again 40 years later with the Black Eyed Peas. So it’s something very magical about that chant; people love that song everywhere in the world. And after the recording with the Black Eyed Peas in 2006, there’s a whole generation that never heard this “Mas Que Nada” played, the sons and daughters of the people that loved the first one. So again, this is a wonderful feeling.

During my college days, Sergio Mendes could be heard and danced to everywhere, creating a worldwide impact. He transmitted joy, love, and fun through his wonderful music. His concerts, recordings, and videos were all about happiness, and they still are. Musicians who supported Mendes and achieved notoriety with their hits include: Lani Hall (Herb Alpert's wife), Gracinha Leporace, Bonnie Bowden, Djavan, Paulinho Da Costa, Bibi Vogel, David Amaro, Joao Palma, Jose Soares, Oscar Castro-Neves, Sebastiao Neto, John Pisano, Dom Um Romao, Dory Caymmi, Toninho Horta, Karen Philipp, among others.

Viva The Latin Jazz!!

www.jazzcaribe.blogspot.com

Note: The bestselling book of musical literature, "The Bible of Latin Jazz," by renowned writer, musicologist, and educator Luis Raul Montell, is now available on Amazon.

Jazz and World Music Festivals in The Caribbean - July and August 2025

 

The Caribbean is a vibrant tapestry of culture, music, and celebration, and 2025 is set to be a year filled with incredible jazz and music festivals that highlight the region's rich traditions and diverse sounds. From the soulful roots of Jamaica's Rebel Salute to the pulsating rhythms of deep house in St. Lucia's ZEMI Festival, the wonderful jazz festivals, including regional and international stars, each event offers a unique experience for those seeking to immerse themselves in the heart and soul of the Caribbean. Whether you're drawn to the electrifying energy of Trinidad and Tobago's Carnival or the laid-back, intimate vibe of the Virgin Islands Jam Fest, there's something for every music lover to enjoy. As you plan your 2025 festival calendar, get ready to explore stunning island destinations, dance to the beats of world-renowned artists, and create unforgettable memories in paradise.

ST. VINCENT & THE GRENADINES CARNIVAL 2025

Discover the vibrant spirit of Vincy Mas, the Carnival of St. Vincent and the Grenadines, a lively celebration of Caribbean culture and tradition. Held annually across the islands, this dynamic festival features colorful parades, elaborate costumes, and the infectious rhythms of calypso, soca, and steelpan music. Experience the excitement of the Road March, the creativity of the Mas bands, and the lively atmosphere of the street parties. Perfect for travelers seeking an authentic and joyful Caribbean experience, Vincy Mas is a must-attend event that showcases the rich cultural heritage and vibrant energy of St. Vincent and the Grenadines.

July 2 - July 9

https://www.facebook.com/watch/?v=1057022346014235

REGGAE SUMFEST 2025 - JAMAICA

Reggae Sumfest, the crown jewel of Jamaican music festivals, is a vibrant celebration of reggae and dancehall music and culture that takes place annually in Montego Bay, Jamaica. Renowned for its electrifying performances by local and international reggae artists, the festival ignites the stage with pulsating rhythms, soulful melodies, and infectious energy. From legendary icons to rising stars, Reggae Sumfest showcases the diverse spectrum of reggae music, uniting fans from around the globe in a joyous celebration of Jamaica’s rich musical heritage. Beyond the music, attendees immerse themselves in Jamaican cuisine, arts, and the warm hospitality of the island, making Reggae Sumfest an unforgettable experience for all who partake in its rhythm-filled festivities.

July 13 - 19

https://www.facebook.com/reel/1782263686059361

ANTIGUA CARNIVAL 2025

The countdown to Antigua Carnival 2025 has officially begun, and the excitement is palpable! From the vibrant Queen of Carnival and thrilling competitions to the spectacular Parade of Bands, there’s something for everyone. Get ready to dance, celebrate, and make unforgettable memories at Antigua Carnival 2025.

Mark your calendars because Antigua Carnival itz a vibe ! Join us from July 25 to August 5, 2025.

Calypso and Steelbands jazz.

Video:

https://www.facebook.com/watch/?v=1372762054092509

BARBADOS CROP OVER 2025 (CARNIVAL)

The Barbados Crop Over Festival dates back to the 17th century, and it is one of the most popular and colourful events in the Caribbean. Crop Over celebrates the official end of the sugar cane season, and is celebrated with a variety of parties and other festivities from dusk to dawn, arts and crafts markets, culinary-driven street fairs, and more.

July 30th – August 05th, 2025

Video:

https://www.instagram.com/reel/C-k85a3pIj_/?utm_source=ig_web_copy_link

EMANCIPATION FEST 2025 - TORTOLA, VIRGIN ISLAND

Every August, the British Virgin Islands burst into color, music, and powerful storytelling during one of the Caribbean’s most significant cultural events: the BVI Emancipation Festival. In 2025, this electrifying festival returns bigger, louder, and prouder—marking the 191st anniversary of the abolition of slavery in the British Caribbean.

Held across the first week of August, the BVI Emancipation Festival honors the emancipation of enslaved Africans in 1834. But it's more than a historical nod—it’s an unapologetic celebration of freedom, resilience, and the vibrant culture that has emerged in its wake. From traditional music to modern soca beats, every moment of the festival pulses with the rhythm of liberation.

July 13, August 9

Viva The Latin Jazz!!

www.jazzcaribe.blogspot.com

jazzcaribe2001@yahoo.com

Note: The bestselling book "The Bible of Latin Jazz" by writer, musicologist, and educator Luis Raul Montell is available on Amazon.