martes, 19 de noviembre de 2024

Bossa Nova Noites I: Bahia Nights

 

    
  
 
File under: Pop / Soul / R&B / Brazil
  
      
 

In 2012, celebrated producer Robert Hébert reached out to Brazilian music legend Ivan Lins to join his ambitious project, blending Brazilian and American music traditions. Lins' response was visionary: "TOTAL MUSIC," an invitation to transcend genre boundaries and create a unique musical experience. The "Bossa Nova Noites I: Bahia Nights" album is a realization of that vision, a sophisticated exploration of Black Music from Africa, Brazil, the U.S., and Europe, blending Samba, Chicago Blues, Gospel, Jazz, R&B, Pop, and Soul into a tapestry of rich sound.

After years in the making, this highly anticipated album features iconic artists, including Najee, Brazilian rising stars Monique Elen and Mari Bodas, and co-producer Curtis King Jr. Hébert and his collaborators have carefully arranged a selection of recordings into an album that pays homage to musical legends while introducing fresh, inventive interpretations.

 artists 

 
      
 
 

Artist: BOSSA NOVA NOITES
Title: “Bossa Nova Noites I: Bahia Nights”
Release date: NOVEMBER 19, 2024

 
 
  1. Black Sailors (“The Passage”)
    feat. Kevin Spears and Andre Siqueira

     
  2. Respect Yourself
    feat. Monique Elen & Najee with Chico Brown
    and David Feldman

     
  3. Push Me Away
    feat. Mari Bodas with Joey Woolfalk and Andre Siqueira

     
  4. Give Me Your Love
    feat. Monique Elen with João Castilho and Andre Siqueira

     
  5. Something’s Got a Hold on Me
    feat. Mari Bodas with Cleverson Silva and Arthur de Palla

     
  6. Never Say Goodbye
    feat. Mari Bodas with Frank McComb and Arthur Maia

     
  7. That’s the Way of the World
    feat. Monique Elen & Mari Bodas with João Castilho and Andre Siqueira

     
  8. What Color Is Love
    feat. Monique Elen with João Castilho

     
  9. Little Feet
    (A Chicago Blues teaching: “The world follows the music of the poor”) feat. Curtis King, Jr.

     
  10. Cry for Help
    feat. Monique Elen & Mari Bodas with Andre Siqueira

     
  11. Back to Black
    feat. Mari Bodas & Najee with Klayton Galdino

     
  12. Nothing on You
    feat. Monique Elen & Najee with Felipe Alves

     
  13. When We Were Young
    feat. Monique Elen with Felipe Alves, Italo Alves, Andre Siqueira, and Arthur de Palla

     
  14. Vocalscape
    (Q: “Be ready to answer the call”) feat. Curtis King, Jr.

     
  15. Bahia Nights
    feat. Curtis King, Jr. & Najee

     
  16. Tudo o Que Você Podia Ser
    feat. Marcello Ferreira & Najee with Arthur Maia and Frank McComb

     
  17. Gift of Heart (Christmas in Rio)
    feat. Curtis King, Jr. & Najee

     
  18. Dayo
    (“Not world music…the world’s music”) feat. Curtis King, Jr.

     
  19. Brazilica
    feat. Alexandra Jackson with Maestro Charles Floyd & The Bossa Nova Noites Orquestra, feat. Larry Dunn, Darryl Jones, Larry Williams, and Ricardo Silveira

     
  20. Happiness (A Felicidade)
    feat. Najee & Curtis King, Jr.

Bossa Nova Noites I: Bahia Nights
The soundtrack to Episodes 2 and 3 of Bossa Nova Noites’ LIVE FROM RIO TV series, is a tribute to Brazil’s rich musical heritage, blending Chicago Soul and Brazilian Samba in a contemporary way. This project showcases the rhythm and soul of Brazilian music to global audiences, reimagining it in a fresh context. Bossa Nova Noites honors Brazil’s musical legacy while infusing it with modern sounds that resonate worldwide.

Artistic Synergy: A Global Fusion
Mari Bodas e Monique Elen:
 These rising Brazilian stars bring a unique blend of cultural influences to the project. Monique draws inspiration from the powerful voices of Mavis Staples and Curtis Mayfield, along with the modern flair of Bruno Mars, while Mari channels the legendary sounds of Michael Jackson and Etta James. They create a bridge between Brazil and iconic musical traditions, infusing reverence and innovation.
British Soul Influence: The album pays homage to the rich tradition of British Soul, with Mari and Monique interpreting the stylings of Adele, Amy Winehouse, and Rick Astley - showcasing global reach of Soul music.
Curtis King, Jr. and Najee: These stars bring their mastery of American music to the project. Their collaboration symbolizes a cultural exchange between the streets of Chicago, and the beaches of Bahia and Rio de Janeiro. Their contributions ensure that the music retains its authenticity while embracing new contexts and audiences.
American R&B Pop Integration: The influence of Earth, Wind & Fire is seamlessly integrated into the album, underscoring the global dialogue between different musical traditions, creating a truly international soundscape.

A Unique Exploration: “The World’s Music”
“Bossa Nova Noites I: Bahia Nights” is not an exploration of World Music – it is an exploration of “the world’s music.” Rather than approaching the project from a purely ethnographic or academic standpoint, these artists crafted an album that resonates within a global Pop context. This approach allows the music to transcend geographical boundaries, making it relatable to a diverse, worldwide audience.

Cultural Significance: Breaking New Ground
As Brazilian singers, it is profoundly significant that Mari Bodas and Monique Elen are performing these classic songs in English. This cultural and linguistic crossover is a first for Brazilian artists, making them pioneers in bringing the rich heritage of Chicago Soul, Brazilian Soul, and British Soul to a global stage. Their interpretations are a deep homage to these genres, performed with an authenticity that honors the original works while infusing them with a distinctly Brazilian essence.

From Africa to Bahia and Rio to Chicago:
A Cultural Journey

Curtis King, Jr. and Najee’s involvement in the project extends this cultural journey from the heart of Chicago to the vibrant scenes of Bahia and Rio de Janeiro. Their collaboration ensures that the music stays true to its roots, while also embracing the unique cultural contexts of Africa and Brazil. This journey is not just musical – it is a cultural exchange that highlights the shared histories and experiences.

A Concept Album: Theme and Artistic Integrity
“Bossa Nova Noites I: Bahia Nights” is a unique blend of Brazilian musical roots with the vibrant sounds of Chicago, bringing together the best of both worlds. The artists bring dynamic and emotive performances that bridge the gap between tradition and innovation. Launching the Bossa Nova Noites series with 13 carefully selected covers, World Music and Jazz interludes, and only 3 original tracks reflects the artists’ commitment to exploring the roots of these genres with authenticity and artistic integrity. The covers are not mere reinterpretations; they are thoughtful, deeply considered homages that resonate with both historical significance and contemporary context.


Viva The Latin Jazz!!
www.jazzcaribe.blogspot.com
jazzcaribe2001@yahoo.com

Note: The book "The Bible of Latin Jazz" by writer, journalist and educator Luis Raul Montell is available on Amazon.

miércoles, 13 de noviembre de 2024

"The Bible of Latin Jazz" and Upcoming Christmas holidays!






Given the proximity of the Christmas holidays, it is a magnificent opportunity to treat yourself and what has become the jewel of musical literature: "The Bible of Latin Jazz."
"The Bible of Latin Jazz", an extraordinary book whose author is Dr. Luis Raul Montell, writer and journalist, has earned great praise from musicians, record labels, universities and music academies, journalists, radio hosts and fans.
It is available in its two (2) volumes on Amazon:
Viva The Latin Jazz!!



This book is dedicated the musicians that dedicate their musical art to the Latin Jazz, not caring their origin, and the recordings that have carried out in that genre, as leaders or companions (sidemen). The participation of the musicians of the genre in productions of other jazz styles in that they have been invited and that it has been good to highlight their importance like executioner of their instrument and the acquired continuous experience through all those musical encounters as companions of others.
It is a book that fits in the branch of musical investigation-musical literature (educational, cultural, informative, amusing and commercial). That for their deep investigation it has required many years to get the wanted result. And the reason is that it is about the most complete compilation and review that has been carried out on recordings of Latin Jazz, from the explosion like musical gender with own life (1948) until the year 2021, included this. It is not about the repeated history of Afro Cuban Jazz, it is about the work carried out by composers, arrangers and musicians, and also the labels, linked in acetate (vinyl), cassette or CDs. In the book it is also included some artists and their works in World Music and African Music with a lot of approach to the Latin Jazz.
This book embraces the following subjects: Music (Latin Jazz, Jazz, World Music, Folk Music and African Music), Popular Culture, History, Biography and Memoir, Caribbean Studies, American Studies, Latin Studies, Latin American Studies, Reference / Guide Books, Collection of Recordings.

Viva The Latin Jazz!!
www.jazzcaribe.blogspot.com
jazzcaribe2001@yahoo.com

domingo, 3 de noviembre de 2024

Film Festival 2024 | Committed Documentary in the Americas - Music

 


From November 7 to 10, 2024

The “Committed Documentary in the Americas” film festival returns in the fall of 2024 for its third edition around the theme of music.

For the 2024 edition of the festival Le documentaire engagé dans les Amériques , the Institut des Amériques (IdA) has formed a new partnership with the L'Écran cinema in Saint-Denis, always with the desire to work in the territory in which it is established.   

During the festival week, the screenings will be led by specialists in cinema and the areas concerned, who will present the films and open the debate following the screenings. Some screenings will also include interviews with the directors. 

Organized by the Institute of the Americas in partnership with the L' Écran cinema in Saint-Denis . With the support of the CRIMIC-Sorbonne University laboratory , the Search laboratory of the University of Strasbourg , Georgetown University , the Colombian Embassy , ​​the City of Saint-Denis , the El Café Latino magazine and the Crous de Créteil.

https://youtu.be/Bb7kOMLeeBE?si=2ce4ik-Aqj1iXkjY

Saint-Denis Screen Cinema
November 9, 2024
They shot the piano player, Fernando Trueba et Javier Mariscal 


A New York music journalist investigates the disappearance, in 1976, on the eve of the coup d'état in Argentina, of Francisco Tenório Jr, a virtuoso Brazilian pianist. While celebrating jazz and bossa nova, the film captures a fleeting period of creative freedom at a turning point in Latin American history in the 1960s and 1970s, just before the continent descended into regimes totalitarian.
They Shot the Piano Player (Spanish: Dispararon al pianista) is a 2023 adult animated docudrama film directed by Fernando Trueba and Javier Mariscal.
The film's soundtrack includes music by João Gilberto, Caetano Veloso, Gilberto Gil, Vinicius de Moraes and Paulo Moura, with some of the musicians also appearing in the voice cast as themselves testifying about Tenório's importance and influence as part of Goldblum's character investigation.
https://youtu.be/jQwajCDIwcg?si=osgqS4PSnaZOD6ql

Cinéma l'Écran de Saint-Denis
Le 9 novembre 2024

Miúcha, Daniel Zarvos et Liliane Mutti


Heloísa Maria Buarque de Hollanda, known as Miúcha, singer of Bossa Nova, goes through the 60s and 70s facing the pains and twists and turns of her desire to have a musical career. During her journey, she meets “famous musicians”: she is the wife of João Gilberto, the student of Vinícius de Moraes, the sister of Chico Buarque, the companion of Tom Jobim, the voice that accompanies Stan's Getz sax and the interpreter of Pablo Milanés. At the pace of a road movie, between New York, Paris, Mexico and Rio de Janeiro, the film reveals the story of this woman who tries to impose her voice in a male musical world.
https://youtu.be/TAA7q4XoAkQ?si=KJ8yTaljw-RBL6ZG

Cinéma l'Écran de Saint-Denis
Le 10 novembre 2024

Niños de las brisas, Marianela Maldonado


For a decade, from 2010 to 2020, Marianela Maldonado filmed three young children from the Las Brisas neighborhood, among the poorest in the city of Valencia, Venezuela. They benefit from a music education program founded by conductor José María Abreu in the 1970s, “El Sistema”. During these ten years, we observe the evolution of these young musicians and their fight for a better life thanks to classical music.
https://youtu.be/1gpKDUzPh9M?si=n1TAnflVhoRFjZJt
Viva The Latin Jazz!!
www.jazzcaribe.blogspot.com
jazzcaribe2001@yahoo.com

sábado, 26 de octubre de 2024

"Woods" is the new album by flutist Carlos Jimenez accompanied by star musicians!

 


WOODS

Musicians: Carlos Jimenez (flute, composer, arranger, bandleader); Hector Martignon (piano); Ruben Rodriguez (bass); Vince Cherico (drums)

Tracks List: You're the Best Pops; Wheelbarrow Blues; Eyes over Dawn; Dreams of Brazil; Woods; Snuggle & Cuddle; Not That Far Away; Bamboo Path; Outside in the Rain

In baseball, the most qualified sport, for us, is Major League Baseball, so with the experience obtained in his musical career Carlos Jimenez managed to assemble a small team of stars for his compositions that he creates with passion and inspiration.

Baseball has a lot to do with Latin jazz and salsa. It's a happy tradition.

When you manage to put together a team with so much experience, you can say I have the best to support my music. Quick facts about the superstars in "Woods": Hector Martignon (Ray Barretto), Ruben Rodriguez (Dave Valentin) and Vince Cherico (Arturo O'Farrill).

"Woods" easily enters the heart and all of our senses, because his music originates in Latin and jazz, with harmonious mixtures of waltz, bolero, pop, bossa, very balanced. Music for everyone!

https://youtu.be/zVmINnSJrfA?si=CgTfl1VsDXM-cCpK

https://youtu.be/zVmINnSJrfA?si=3ONdn1tCyOZ83ncI


There’s a diverse serving of rhythmic grooves in which all four members get to shine. “You’re the Best” and “Bamboo Path” are two “cool jazz” tunes where Jimenez and Martignon improvise effortlessly over the chord changes on flute and piano respectively.

On “Wheelbarrow Blues” and the down-home bluesy track, “Snuggle and Cuddle,” Jimenez and Martignon demonstrate their improvisational mastery throughout their solos, with Rodriguez stepping out front with a tasty bass solo on the latter.

“Eyes Over Dawn,” a 6/8 time jazz waltz, features some stellar brush work from Cherico on drums along with another nice bass solo from Rodriguez. The band gets funky on “Dreams of Brazil,” with Cherico tearing it up on drums in tandem with punchy “baby bass” lines from Rodriguez, amid syncopated rhythmic conversations with Martignon on piano.

The breezy laid-back title track, “Woods,” puts Jimenez front and center effortlessly flowing through his solo with expressive flutters dancing over the chord changes, followed by Martignon tickling the ivories of his Fender Rhodes piano with fluid phrasing and perfectly executed rapid musical lines.

“Not That Far Away,” the only true ballad track, Jimenez shines with a lovely lilting melody and solo throughout with a brief bass solo from Rodriguez before taking it home. The ten-minute-plus up-tempo track “Smoketacular” features all in the quartet, highlighted by an intense musical conversational exchange between Martignon on piano and Cherico on drums, reminiscent of pianist McCoy Tyner and drummer Alphonse Mouzon back in the early 1970s.

The album concludes with “Outside in the Rain,” a straight-ahead jazz cooker with an opening melody head that could be a strong candidate for an opening television theme. Jimenez leaves no doubt here about his flawless articulation and improvisational mastery on his instrument, bolstered by a high level of musicianship from the other three, making this a delightful listen from start to finish.



Carlos Jimenez:

Carlos Jimenez is an extraordinary flute player and vocalist, as well as composer and bandleader of Jazz, Latin Jazz, Morld Music and Salsa. 

Born in New York, his family moved to Puerto Rico when he was six years old. It was there that his musical training began. From a young age, Carlos had an aptitude for percussion and played timbales, bongos and congas. His first lyrical instrument was trumpet, which he studied under Professor Pablo Leon at Francisco Zayas Santana High School. Carlos soon changed his instrument to flute, feeling inspired listening to the music of Mongo Santamaria and how he utilized the flute in his rrangements.

Carlos returned to New York to pursue his dream of becoming a jazz flutist. He began studying classical flute at the Music Conservatory of Westchester, New York before expanding his repertoire to include jazz, studying privately with master musicians. A few years later, he studied Jazz harmony and voicing with master pianist, Michael Longo. 

Carlos has recorded nine albums of his own compositions and arrangements. 

Viva The Latin Jazz!!

www.jazzcaribe.blogspot.com


Note: If you want to know more about the illustrious career of Carlos Jimenez, Hector Martignon, Ruben Rodriguez, Vince Cherico and more, I invite you to read or consult "The Bible of Latin Jazz" by Luis Raul Montell (available on Amazon).                                                                

domingo, 20 de octubre de 2024

Mike Eckroth elegantly explores the cultures and traditions of the world from man's point of view in his album "Human Geography"

 


HUMAN GEOGRAPHY

Musicians: Michael Eckroth (piano, keyboards); Raúl Reyes (bass 3, 4, 7, 8); Edward Pérez (bass 6, 9, 10); Alex “Apolo” Ayala (bass 1, 2, 5); Joel Mateo: drums; Mauricio Herrera, Carlos Maldonado (percussion); Matt Hilgenburg (trumpet 1, 5); Alex Norris (trumpet 1, 2); Peter Brainin (tenor saxophone)

Tracks List: Human Geography; 2. Little B’s Poem; 3. Freedom in Precision; 4. Kachina; 5. New Bomba; 6. In 15; 7. Funk Gets It; 8. Hilton; 9. Ballad in Three; 10. New Years Day

The album opens with its title track, featuring piano trio with horns. The piece “Human Geography” stands as an apt summation of a series of compositions Eckroth wrote that incorporate jazz with a guaguancó rhythmic sensibility. On this track, Eckroth utilizes a 5/4 rhythmic basis over a long harmonic form, culminating in a vamp, with both sections acting as vehicles for improvisation. “Freedom in Precision” similarly leans into guaguancó jazz rhythms, while harmonically and structurally standing in contrast by periodically shifting to single-chord vamps instead of remaining strictly bipartite in form. “Kachina” is loosely Afro-Cuban in sensibility, but veers from the norm in that its support beam is an angular bass line with a rich harmonic ecosystem atop it. Notably, “Kachina” showcases the use of synthesizer for orchestration, which Eckroth notes is a sound he’s leaning increasingly towards as a poignant palette within composition. “Little B’s Poem” is set apart in that it is the only piece on the album that is an arrangement, not an original composition. An ode to Herbie Hancock and Bobby Hutcherson, the piece aligned neatly with the vision of the album, and features trumpeter Alex Norris, saxophonist Peter Brainin, and drummer Joel Mateo. “New Bomba” is a piece composed heartily upon a series of interwoven ostinatos, with the Puerto Rican bomba rhythm as the basis for them all. The album concludes with “Hilton”, the title of which is a tribute to the great Hilton Ruiz, whose music has become increasingly influential on Eckroth.


Eckroth is quick to give praise to his band members in achieving the powerful vibrancy of this album. All of the musicians on the album are longstanding collaborators for Eckroth, with each one representing a lengthy history of performing and creating together. Above all, Eckroth values the musicians’ ability to fit anywhere and envision anything. “These musicians are supremely flexible, and most importantly are able to bring out more than what’s intended by the compositions and arrangements,” Eckroth says. “It’s a group aesthetic that has been nurtured over several years of sporadic playing.” The album boasts multiple arrangements of piano trios, changing bassists and percussionists both to suit the needs of each piece and to represent different moments in Eckroth’s musical history. The personnel on Human Geography is Michael Eckroth (piano, Rhodes, keyboards); Joel Mateo (drums); Raul Reyes, Edward Perez, and Alex “Apolo” Ayala (bass); Mauricio Herrera and Carlos Maldonado (percussion); Matt Hilgenburg and Alex Norris (trumpet); and Peter Brainin (tenor saxophone). 

With Human Geography, Eckroth showcases not only his indomitable command of the piano keys and the heartstrings, but the intentional beauty of careful knowledge as each piece, each groove, and each collaboration is a masterfully crafted charter between cultures and worlds. Truly, Human Geography stands as a landmark in the truest sense as it denotes the histories and traditions within the locale of the human experience.



Mike Eckroth:

Michael Eckroth is an American jazz pianist, arranger, and composer from Phoenix, Arizona, particularly known for his work in Latin jazz. He was a member of jazz-rock guitarist John Scofield's New Quartet from 2010-2012. Currently, he is the co-writer, arranger, and pianist for Cuban and American mambo big band Orquesta Akokán, whose self-titled debut album from Daptone Records Was nominated in the 61st Annual Grammy Awards.

Throughout a varied career which covers musical styles from Latin jazz, R&B, pop, salsa and world music in general, Michael has shared the stage with performers with as varied pedigrees as pop icon Sheena Easton and jazz legends John Scofield, Ron McClure, Eliot Zigmund and Paul McCandless. In an over 15 year stint as a New York-based musician, Michael performed on local stages everywhere from major jazz clubs like Blue Note, Birdland, and Smalls to larger NYC venues such as Lincoln Center’s summer stage and Joe’s Pub. On the international stage, Michael has performed in venue and festival settings everywhere from the Hamburg Elbphilharmonie, the North Sea Jazz Festival, Jazz al Parque and Salsa al Parque in Bogotá, SFJazz, WOMAD festivals in the UK, Australia, and New Zealand- all over the United States, the Americas and Europe in concert halls, jazz clubs and outdoor events.

Michael is an avid recording artist, writer and arranger who continues to draw accolades for his work in various settings. With several solo albums to his name, he also is called upon as a collaborator who has worked on dozens of original-music albums as pianist, keyboardist, or musical director. Among the many collaborations he’s brought forward are the groups La Voz De Tres (with Jason Ennis and Natalia Bernal) and DEFtrio (with Greg Diamond), and various productions with the broadway/R&B artist Syndee Winters. He has also worked alongside grammy-awarded producer Jacob Plasse on a variety of popular and world music projects as writer and arranger. He currently records as a solo artist or collaboratively for Daptone and Truth Revolution records in NYC. His newest album as a leader, Plena will be released in September of 2021.

Michael began his piano studies in classical music at the age of four but only began to take music seriously as a vocation after being introduced to jazz improvisation in high school (Phoenix, Arizona), which soon led to a long-standing relationship with world popular music, and in particular, Brazilian and Latin Jazz music forms. In addition to decades of experience performing and recording jazz, world music and American music in general, he completed a bachelor’s degree (University of Arizona) and master’s degree(University of Nevada) while furthering a national and international profile as a writer/pianist and becoming a family man and father of three.

Viva The Latin Jazz!!

www.jazzcaribe.blogspot.com

jazzcaribe2001@yahoo.com

Note: In "The Bible of Latin Jazz" book (Amazon) you can have information about our entire musical genre, its exponents and recordings.